SAC Gallery | The Macro Movements of Material II
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The Macro Movements of Material II

Eng | ไทย


SAC Gallery in collaboration with Rosewood Bangkok



The Macro Movements of Material II

curated by Linjie ZHOU


a group exhibition by

Thanathorn Suppakijjumnong
Uttaporn Nimmalaikaew
Weerapong Sansomporn


at Art Connection – 3rd floor (BTS Ploenchit exit 1)

Rosewood Bangkok Hotel

2 December 2020 – 28 February 2021







SAC Gallery Bangkok and Rosewood Bangkok hotel present “The Macro Movements of Material II”, a group exhibition by Thai artist Thanathorn Suppakijjumnong, Uttaporn Nimmalaikaew, Weerapong Sansomporn and Japanese artist three. As we presented “The Macro Movements of Material I”, the global economy develops at a quick-pace, fully-integrating the nations of the world in a flow of money and free trade, cultures and societies are fracturing and reassembling daily. For our Macro movements of Material part II, we selected 4 artists to explain more how the materials weave and flow in and out of our lives, often with little introspection as to the effect they have on us and our surroundings. As complex as we are as individuals and societies, the things we value and mold reflect how layered our existence is. We’ve always been interconnected with nature but now we are becoming interconnected with our own creations as well. Materials can be deceptive, holding high prestige with whichever intangible worth we bestow upon them.


Fulfill No.2, 2020, Typewritten on Awagami Kozo (Thick) White 110g. paper, Print lottery, 100 x 100 cm

Fulfill No.3, 2020, Typewritten on Awagami Kozo (Thick) White 110g. paper, Print lottery, 100 x 100 cm










Thanathorn Suppakijjumnong’s new series complex printing methods highlight multinational materials, this series uses the award-winning Lottali to create orphanages, in terms of fulfilling various materials happiness with many teachings to encourage and remind them to continue living.


2211g, 2020, Figure (PVC resin), stainless steel, FRP, PVC, wood and acrylic box, 30 x 20 x 43 cm


As three’s artwork embodies the commodification of childlike insecurity it revels in misplaced value. The melted toys represent the chaos and dissection of the conglomeration of mashed up personalities that are packaged and sold to us as our ideals/idols. The overconsumption of this false idols is one of the key deceptions that mold or future adult selves. Materials can also be almost impossibly symbolic, easily acquired and discarded as irrelevant memories in passing years. We need materials to help nurture our curiosity, as our inquiries alone announce our futile independence.


A Woman in the Blue Atmosphere, 2020, Oil and acrylic on fishing line in boxed installation, 96 × 80 × 25 cm

Fragile Life, 2020, Oil and acrylic on fabric, 80 x 110 cm










As Uttaporn Nimmalaikaew’s artwork is a mesmerizing system of various layers of fine, interwoven fabric it sits suspended in an exceptional 3-dimensional configuration. Each piece is painted and printed, shaped and layered to emanate an illusion of our mental chaos. The works’ airy nature leaves space and gaps for contemplation on finding a common sense between the audience and the artist. If fully analyzed we realize that materials can help us in balancing our lives intellectually, physically and emotionally, only if we can ultimately recognize our interdependence with them.


Gold and Silver Sack, 2019, Woven metal, 90 x 70 cm


As Weerapong Sansomporn’s wooden works draw a link between humans and nature, it is particularly connected to water. Humans desire to stay alive can often be manifested in many social manners, but at its source our biological link to water is unwavering. The solidity of the wood and the illuminous colors in tandem provide a strong reminder of this fact. Other materials help us explore concepts that have global significance, while we mostly stay rooted in our local routines. They help us analyze complex problems as we try to make reason of our ethics. Materials can hide the confidence in our ability to perceive each other though reality shows that instead we are often confused, as we live life evading the responsibility of our actions and their consequences, and his metal works resulted from a creative process that was immersed in a search for finding this truth through a blend of memory, experience, feelings and skills.


The exhibition is on display from 2 December 2020 – 28 February 2021 at Art Connection (BTS Ploenchit Exit 1), 3rd floor, Rosewood Bangkok Hotel, Ploenchit Rd., Bangkok. More inquiries, please contact: or tel. +662 662 0299, +662 258 5580 ext. 401.